American romantic drama directed by Shana Feste and starring Alex Pettyfer and Gabriella Wilde. The film follows the story of David Axelrod (Pettyfer) and Jade Butterfield (Wilde), a young couple who begin a passionate and heady relationship much to the chagrin of Jade's wealthy mother and father (Joely Richardson and Bruce Greenwood). Determined to find some dirt on his daughter's new squeeze, Hugh Butterfield investigates the young man's past and it isn't long before he finds he has a less than admirable background. Can the young lovers' relationship bear the attempts to split them up?

Billy Bob Thornton directs and stars in this drama set in 1960s Alabama featuring an ensemble cast that includes Robert Duvall, John Hurt, Kevin Bacon, Robert Patrick, Frances O'Connor and Ray Stevenson. Jim Caldwell (Duvall), an ageing World War I veteran, is the head of a family that includes two sons who fought in World War II, Skip (Thornton) and Carroll (Bacon). Almost 30 years ago the family was torn in two when Jim's wife left him and moved overseas to marry Brit Kingsley Bedford (Hurt). When Mrs Bedford passes away her will indicates that she'd like to buried back home in Alabama, setting the Caldwells and the Bedfords on collision course. How will the two families change each other?

A year on from 'Die Hard', Los Angeles cop John McClane is set to meet up with wife Holly (Bonnie Bedelia) on Christmas Eve, this time at Dulles airport in Washington DC. However, when terrorists take over the airport in an attempt to rescue dictator Esperanza (Franco Nero) from his incoming flight, it is up to McClane to restore order and ensure that Holly's plane lands safely. Get that sweaty vest out, and put some shoes on this time.

The complete third season of the action drama series featuring a covert team of Special Forces operatives risking their lives on undercover missions in far-flung locations. Episodes comprise: 'Pandemonium: Part 1', 'Pandemonium: Part 2', 'Always Kiss Them Goodbye', 'Every Step You Take', 'Inside Out', 'M.P.s', 'Five Brothers', 'Play 16', 'Binary Explosion', 'Gone Missing' and 'Side Angle Slide'.

Transatlantic Studies: Latin America, Iberia, and Africa emerges from, and performs, an ongoing debate concerning the role of transatlantic approaches in the fields of Iberian, Latin American, African, and Luso-Brazilian studies. The innovative research and discussions contained in this volume's 35 essays by leading scholars in the field reframe the intertwined cultural histories of the diverse transnational spaces encompassed by the former Spanish and Portuguese empires. An emerging field, Transatlantic Studies seeks to provoke a discussion and a reconfiguration of the traditional academic notions of area studies, while critically engaging the concepts of national cultures and postcolonial relations among Spain, Portugal and their former colonies. Crucially, Transatlantic Studies transgresses national boundaries without dehistoricizing or decontextualizing the texts it seeks to incorporate within this new framework.

Transatlantic Studies: Latin America, Iberia, and Africa emerges from, and performs, an ongoing debate concerning the role of transatlantic approaches in the fields of Iberian, Latin American, African, and Luso-Brazilian studies. The innovative research and discussions contained in this volume's 35 essays by leading scholars in the field reframe the intertwined cultural histories of the diverse transnational spaces encompassed by the former Spanish and Portuguese empires. An emerging field, Transatlantic Studies seeks to provoke a discussion and a reconfiguration of the traditional academic notions of area studies, while critically engaging the concepts of national cultures and postcolonial relations among Spain, Portugal and their former colonies. Crucially, Transatlantic Studies transgresses national boundaries without dehistoricizing or decontextualizing the texts it seeks to incorporate within this new framework.

Action adventure spin-off of the video game series starring Scott Wolf and Mark Dacascos. Set in the ravaged Los Angeles of the future, evil tycoon Koga Shuko (Robert Patrick) searches for the missing half of an amulet which would grant him the tremendous mystical power of the Double Dragon. Little does he know that brothers Jimmy and Billy Lee (Dacascos and Wolf) are in possession of the missing half and, with the help of vigilante Maria (Alyssa Milano), are set to thwart Shuko's plan with their martial arts prowess.

This is an evocative drama of American idealism and the tragic fallout from the euphoria of the 1960s. Five lost souls are gathered in a bar, Valentine's Day, 1974: Wanda, a secretary-turned-schoolteacher, keeping John Kennedy's memory alive despite the inevitable slurs; Sparger, an actor grown bitter and cynical as New York's vital underground theatre movement becomes a commercial wasteland; Rona, a political activist who sees the movement collapsing from self-indulgence and apathy; Mark, a Vie

A classic of Brazilian literary criticism and historiography, Brazil and the Dialectic of Colonization explores the unique character of Brazil from its colonial beginnings to its emergence as a modern nation. This translation presents the thought of Alfredo Bosi, one of contemporary Brazil's leading intellectuals, to an English-speaking audience. Portugal extracted wealth from its Brazilian colony. Slaves--first indigenous peoples, later Africans--mined its ore and cut its sugarcane. From the customs of the colonists and the aspirations of the enslaved rose Brazil. Bosi scrutinizes signal points in the creation of Brazilian culture--the plays and poetry, the sermons of missionaries and Jesuit priests, the Indian novels of José de Alencar and the Voices of Africa of poet Castro Alves. His portrait of the country's response to the pressures of colonial conformity offers a groundbreaking appraisal of Brazilian culture as it emerged from the tensions between imposed colonial control and the African and Amerindian cults--including the Catholic-influenced ones--that resisted it.

Many people believe that discipleship is important, but they need help. In fact, the vast majority of Christians report that they have never been personally discipled by a more mature follower of Jesus. Is it any wonder that they have a difficult time knowing how to disciple others? If making disciples of Jesus is the greatest cause on earth, how should we equip people to do it? This handbook is a practical guide for how to embrace the discipleship lifestyle - being a disciple of Jesus and how to make other disciples of Jesus. With contributions from pastors and teachers like Francis Chan, Jeff Vanderstelt, Bill Hull, Jim Putman, KP Yohannan, and Robert Coleman, the authors present seven elements that are necessary for disciple making to occur: Jesus-the original disciple maker and centerpiece of discipleship. Holy Spirit-fuels the disciple-making process. Intentionality-making disciples utilizing a strategy and a roadmap. Relationships-creating a loving, genuine connection with others who trust and follow Jesus. Bible-using the Word of God as the manual for making disciples. Journey-forging a traceable growth story from a new birth to spiritual parenthood. Multiply-reproducing the discipleship process so that the disciple becomes a disciple maker. Whether you are a parent who wants to disciple your children, a small group leader who wants to disciple those in your group, or a church leader who wants to disciple future leaders, the seven key elements in this handbook form a framework for understanding discipleship that can be applied in countless situations. In addition, there are questions provided in each section to help you think through how to apply the material to your disciple making efforts.

Is Brazil part of Latin America, or an island unto itself? As Nossa and Nuestra America: Inter-American Dialogues demonstrates, this question has been debated by Brazilian and Spanish American intellectuals alike since the early nineteenth century, though it has received limited scholarly attention and its answer is less obvious than you might think. This book charts Brazil's evolving and often conflicted relationship with the idea of Latin America through a detailed comparative investigation of four crucial Latin American essayists: Uruguayan critic Jose Enrique Rodo, Brazilian writer-diplomat Joaquim Nabuco, Mexican humanist Alfonso Reyes, and Sergio Buarque de Holanda, one of Brazil's preeminent historians. While these writers are canonical figures in their respective national literary traditions, their thoughts on Brazilian-Spanish American relations are seldom investigated, and they are rarely approached from a comparative perspective. In Nossa and Nuestra America, Newcomb traces the development of two parallel essayistic traditions: Spanish American continentalist discourse and Brazil's solidly national exegetic tradition. With these essayistic traditions in mind, he argues that Brazil plays a necessary-and necessarily problematic-role in the intellectual construction of "Latin America." Further, in traversing the Luso-Hispanic frontier and bringing four of Latin America's preeminent thinkers into critical dialogue, Newcomb calls for a truly comparative approach to Luso-Brazilian and Spanish American literary and cultural studies. Nossa and Nuestra America will be of interest to scholars and students of Latin American and Luso-Brazilian literature and ideas, and to anyone interested in rethinking comparative approaches to literary texts written in Portuguese and Spanish.

Worthy of the Cause for Which They Fight chronicles the experiences of a well-educated and articulate Confederate officer from Arkansas who
witnessed the full evolution of the Civil War in the Trans-Mississippi Department and western theater. Daniel Harris Reynolds, a community leader with a thriving law practice in Chicot County, entered service in 1861 as a captain in command of Company A of the First Arkansas
Mounted Rifles. Reynolds saw action at Wilson's Creek and Pea Ridge before the regiment was dismounted and transferred to the Army of
Tennessee, the primary Confederate force in the western theater.
As Reynolds fought through the battles of Chickamauga,
Atlanta, Nashville, and Bentonville, he consistently kept a diary in which he described the harsh realities of battle, the shifting fortunes of war, and the personal and political conflicts that characterized and sometimes
divided the soldiers. The result is a significant testimonial offering
valuable insights into the nature of command from the company to
brigade levels, expressed by a committed Southerner coming to grips with the realities of defeat and the ultimate demoralization of surrender.